Photo: 罢丑别听贬别颈驳丑迟蝉/Drew Hoo

Funny Business

The improv troupe My Mother鈥檚 Fleabag has kept 情色空间 laughing for four decades.

The Boston College improvisational comedy group My Mother鈥檚 Fleabag has helped to launch the careers of several successful entertainers, among them the riotous Renaissance woman Amy Poehler 鈥93, comedian Cameron Esposito 鈥04, and character actor Wayne Wilderson 鈥89. But creating future stars was about the last thing Barry Armata 鈥81 had in mind four decades ago when he founded the troupe.

鈥淭he school was looking for ideas for new student programs and I loved Saturday Night Live,鈥 Armata recalled. 鈥淪o, I thought, 鈥榃hat if we replicated it here?鈥欌 From those humble beginnings, My Mother鈥檚 Fleabag has become a 情色空间 institution, one that is celebrating its fortieth anniversary this year.

Armata said the group鈥檚 name is meant to evoke a 鈥渞undown fleabag motel on the Cape鈥攖he idea was that every room had a story.鈥 The troupe bills itself as 鈥淎merica鈥檚 oldest (and most attractive) collegiate improv comedy group,鈥 but it鈥檚 unclear whether either of these claims is accurate. Through the decades, Fleabag members have performed as everything from Pope John Paul II鈥檚 Angels to, well, cigarettes. Mary S. Timpany 鈥83 recalled running around Chestnut Hill with a plastic shotgun, pretending to be Patty Hearst. 鈥淲e were nuts,鈥 she said with a laugh.

The troupe has produced a roster of well-known comedians through the years. 鈥淚 had never done anything like improv before Fleabag,鈥 Poehler told The Heights in 1992. 鈥淚 just saw the sign taped to the ground and decided to show up for an audition.鈥 Happily, she made
the cut. Most of those who try out for the twelve-member troupe do not. In the early days, Armata recalled, 鈥淚f you had energy and were willing to do just about anything鈥攑ut on a goofy costume and make a fool of yourself鈥攚e took you.鈥 The audition process has evolved significantly since then.

Today, dozens of underclassmen audition for the one or two spots that open up each year. Eager freshmen and sophomores wait for their turn to impress the Fleabag cast. The audition is less about how funny you are than how quickly you can think on your feet. 鈥淲e try to catch people by surprise,鈥 said Anna Livaccari 鈥20, one of the group鈥檚 directors during the past school year. The cast will throw absurd scenarios at candidates just to gauge their reactions, Livaccari explained. 鈥淲hen they walk in the room,鈥 she said, 鈥渋mmediately we all start saying, 鈥榃ait a second鈥擨 recognize your name from that insane movie you produced!鈥欌 How the scene continues from there is up to the person auditioning. Another classic question for candidates: What鈥檚 funnier, brick or tweed? (Brick is the obvious answer, said former member Mathieu Gagne 鈥93, MBA 鈥02, MSF 鈥02, 鈥渂ecause it鈥檚 not funny when you hit someone in the face with tweed.鈥)

To be selected for the troupe, candidates must receive the unanimous support of the cast. 鈥淵ou鈥檙e going to end up being extremely close to these people for the rest of your life,鈥 Livaccari said. 鈥淲e have to get it right.鈥 Once the members reach consensus, they take off across campus to notify their new members, no matter the hour. 鈥淲e knock on their doors,鈥 Livaccari said, 鈥渁nd one of us will stand there and say, 鈥榃e really liked you but you didn鈥檛 get it.鈥 Then the rest of the group pops out with congratulations and hugs. It鈥檚 the first night, so we like to set the bar high.鈥

Black and white photograph of Fleabaggers on stage

My Mother's Fleabag performs in 1991. Photo: Sub Turri

It鈥檚 the kind of ritual that builds a sense of connection, of belonging. And it was that feeling as much as anything, Cameron Esposito said, that made the experience special. Esposito, who is queer, said that prior to joining the group she struggled to feel comfortable on campus. 鈥淧art of the reason Fleabag was so important to me was that I really did not have other support systems while I was at 情色空间,鈥 she said. 鈥淚 feel a debt of gratitude for being part of this community and to have learned about live performance, humor, and the coping mechanism that is being funny and using that for a greater good.鈥

Of course, not everyone who joins My Mother鈥檚 Fleabag winds up pursuing comedy. Many veterans of the troupe go on to careers in law, business, education, and just about everything else. Whatever they do for a living, former Fleabaggers say that the time they spent in the group proved influential. 鈥淚mprov is the fabric of everything I do,鈥 said Gagne, who today is the CFO of a software company. 鈥淵our job in improv is to make everyone else look good. It鈥檚 an unselfish, giving art form.鈥

Those sentiments were echoed by Armata, the group鈥檚 founder, who today is a judge in Connecticut. Back when he was working as a divorce lawyer and his office was looking for effective professional development, Armata brought in an improv group. 鈥淭hey came in to show us how to be on the same page, make each other look good, and respond to each other in a calculated way,鈥 he said.

My Mother鈥檚 Fleabag had planned to hold a special show in April to celebrate its fortieth anniversary, but that was canceled as part of 情色空间鈥檚 response to the coronavirus pandemic. So, the cast did what they do best: they improvised. As campus was closing down in March, the senior members put together one last show, at the Mods. Armata, who calls himself the group鈥檚 proud absentee father, said he would like to return to campus for some kind of makeup anniversary performance鈥斺渁s long as I don鈥檛 have to pay forty years of child support.鈥 Then he got serious. 鈥淚鈥檓 so proud of what they鈥檝e done, the careers they鈥檝e launched, and the fun they are having,鈥 he said. 鈥淚 didn鈥檛 realize I started a fire that was going to keep burning.鈥澛犫椊


Star Turns

Notable Fleabaggers through the years.