情色空间

Fran莽oise Mouly and Art Spiegelman
September 28 | 7:00 p.m. | Robsham Theater*

Art editor of The New Yorker since 1993, Mouly has overseen more than 1,400 covers, many named 鈥渃over of the year鈥� by the American Society of Magazine Editors. In 1978, she and Spiegelman co-founded the groundbreaking comics anthology RAW; they also edited the New York Times-bestselling Little Lit series and the TOON Treasury of Classic Children鈥檚 Comics. Mouly is the publisher, designer, and editorial director of TOON Books, an award-winning imprint of comics for early readers launched by the couple in 2008. She has won prestigious professional awards, including Smithsonian magazine鈥檚 Ingenuity Award as a 鈥渢ransformative figure in comics.鈥� Last year she was inducted into the Will Eisner Comic Awards Hall of Fame.

Spiegelman has almost single-handedly brought comic books onto the literature shelves, according to event organizers. He won a Pulitzer Prize in 1992 for his Holocaust narrative Maus鈥攚hich portrayed Jews as mice and Nazis as cats; Maus II, the story of his parents鈥� survival and later lives in the United States, followed. His work was displayed at the Los Angeles Museum of Contemporary Art as part of its 鈥�15 Masters of 20th Century Comics鈥� exhibit. He was one of TIME magazine鈥檚 100 Most Influential People in 2005, and in 2006 he was named to the Art Director鈥檚 Club Hall of Fame. In 2011, Spiegelman became the third American to win the Grand Prix at the Angoul锚me International Comics Festival; 听in 2018 he received the Edward MacDowell Medal, the first-ever given in comic art.

The event鈥攚hich coincides with the McMullen Museum of Art exhibition Alternative American Comics, 1980鈥�2000: 鈥淩aw,鈥� 鈥淲eirdo,鈥� and Beyond, which features their work鈥攊s cosponsored by the McMullen Museum, Center for Christian-Jewish Learning, Center for Human Rights and International Justice, Rappaport Center for Law and Public Policy, American Studies Program, Literature Core Program, English Department, History Department, and Art, Art History, and Film Department.

*Tickets (free) are required for this event and are available through the Lowell Humanities website.

Natsu Taylor Saito
鈥�Settler Colonialism, Race, and the Law: Why Structural Racism Persists鈥�
October 6 | 7:00 p.m. | Gasson 100

A Georgia State Law professor, Saito鈥檚 scholarship focuses on the legal history of race in the U.S., the plenary power doctrine as applied to immigrants, American Indians, and U.S.听 territorial possessions, and the human rights implications of U.S. governmental policies.

Saito's most recent book is Settler Colonialism, Race, and the Law: Why Structural Racism Persists. Her teaching areas include public international law and international human rights; seminars in race and the law, federal Indian law; and indigenous rights; and she has been an advisor to diverse law student groups.

Saito has served on the Georgia Supreme Court鈥檚 Commission on Racial and Ethnic Bias in the Courts, and she helped found the Georgia Chapter of the National Asian Pacific American Bar Association. She also was co-director of the Human Rights Research Fund and a consultant to the U.N. Human Rights Council鈥檚 Special Rapporteur on Contemporary Forms of Racism. The event is cosponsored by the Center for Human Rights and International Justice.

Ocean Vuong
"Time Is a Mother; presented by Fiction Days and Poetry Days"
October 19 | 7:00 p.m. | Devlin 110

Vuong鈥檚 body of work contains themes of class, queerness, and identity. His New York Times-bestselling novel, On Earth We鈥檙e Briefly Gorgeous, is a coming-of-age epistolary and work of self-discovery and diaspora. Framed as a letter from a son to his mother, this portrait of family, first love, and the redemptive power of storytelling asks how to survive, how to find joy in darkness, and the meaning of American identity.

For his first poetry collection, Night Sky with Exit Wounds, he became only the second debut poet to win the T.S. Eliot Prize. A Ruth Lilly fellow from the Poetry Foundation, Vuong鈥檚 honors include several fellowships, the Pushcart Prize, and awards including the Stanley Kunitz Prize for Younger Poets, and the Forward Prize for Best First Collection. In 2019 he was awarded a MacArthur Fellowship; he was selected by Foreign Policy magazine as a 2016 鈥淟eading Global Thinker,鈥� and was named an 鈥淓ssential Asian American Writer鈥� by Buzzfeed Books.

He is an associate professor in the M.F.A. Program for Poets and Writers at the University of Massachusetts, Amherst. The event is cosponsored by the 情色空间 Fiction Days Series, Poetry Days Series, American Studies Program, Literature Core Program, Asian American Studies Program, and English Department.

Heather McGhee
鈥淭he Sum of Us: What Racism Costs Everyone and How We Can Prosper Together鈥�
October 26 | 7:00 p.m. | Gasson 100

McGhee鈥檚 personal experiences come together in The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together. An analysis of how we arrived at this divided nation, it illuminates how racism is at the root of some public problems and includes stories of people yearning to be part of a better America.

Hailed as 鈥渋lluminating and hopeful,鈥� the book spent 10 weeks on The New York Times bestseller list, was longlisted for the National Book Award and the Carnegie Medal for Excellence in Nonfiction, and will be adapted into a Spotify podcast series and a young adult reader鈥檚 version.

McGhee helped build the non-partisan 鈥渢hink and do鈥� tank Demos and served for four years as its president. An N情色空间 contributor, she appears on Meet the Press, 惭厂狈叠颁鈥檚 Morning Joe, Deadline White House, and All In. The event is cosponsored by the Winston Center for Leadership and Ethics, Park Street Corporation Speaker Series, and PULSE Program for Service Learning.

Seyla Benhabib
鈥淭he Seductions of Sovereignty: A Democratic and Cosmopolitan Critique鈥�
November 16 | 7:00 p.m. | Gasson 100

The Eugene Meyer Professor of Political Science and Philosophy Emerita at Yale University, where she taught from 2001 to 2020, Benhabib is a senior research fellow and adjunct law professor at Columbia University and senior fellow at its Center for Contemporary Critical Thought.

Her most recent book is Exile, Statelessness and Migration: Playing Chess with History from Hannah Arendt to Isaiah Berlin; her other works include The Claims of Culture: Equality and Diversity in the Global Era, and the award-winning The Rights of Others: Aliens, Residents, and Citizens; and Another Cosmopolitanism: Hospitality, Sovereignty and Democratic Iterations.

Benhabib won a Guggenheim Fellowship and has been a research affiliate and senior scholar in many U.S. and Europe institutions. The event is cosponsored by the International Studies Program and the Global Citizenships Project.

Merry Wiesner-Hanks
鈥淢igrants and Missionaries: Women Take the Reformations Around the World"
November 30 | 7:00 p.m. | Gasson 100

A historian of early modern Europe, Wiesner-Hanks also is a global historian; her work has been central to the integration of women, gender, and sexuality in both fields.

Distinguished professor of history and women鈥檚 and gender studies emerita at the University of Wisconsin-Milwaukee, she is the senior editor of the Sixteenth Century Journal, former editor of the Journal of Global History, and editor-in-chief of the seven-volume Cambridge World History. She is the author or editor of 30 books and many articles widely used in teaching around the world. These include: What Is Early Modern History? and Christianity and Sexuality in the Early Modern World: Regulating Desire, Reforming Practice.

She is currently coediting the four-volume Cambridge World History of Sexualities. The event is cosponsored by the History Department.