情色空间

Probably the most famous bit of writing advice, usually attributed to Mark Twain, is to "write what you know.鈥� And Smith鈥攚hose inspiration for the novel struck while driving along the Massachusetts Turnpike one winter morning in 2017鈥攁cknowledges that it鈥檚 understandable if a reader might wonder how much of Transformation Summer is autobiographical.

鈥淪ure, Seth and I have a few things in common, but I was very conscious about putting too much of me in him,鈥� said Smith, who decided early on that the story should be in the form of a memoir, a critical choice that led him to create Seth as the protagonist. 鈥淚 think he鈥檚 probably more headstrong than I ever was. I didn鈥檛 want him to be passive or overly accepting as he tries to figure out Transformation, so he really has his eyes and ears open and questions what he sees and hears. I think I would鈥檝e just played Frisbee and looked around for jam sessions.鈥�

A native of New York鈥檚 Hudson Valley whose late parents were college professors, Smith noted that the concept of intentional communities鈥攕uch as cooperative housing, collective households, and communes鈥攑layed a pivotal role in conceiving Toward Transformation. He 鈥渟tretched the definition鈥� to include those instances where people gather at some regular intervals out of common beliefs, interests, or purpose.

鈥淚 remembered my experiences at the weekend youth programs run by the local Quaker meeting I attended in my teens,鈥� said Smith. 鈥淚鈥檇 see a lot of the same people, and over time we鈥檇 develop our own shared set of activities, customs, and expectations around the formal, structured portions of those programs; to my mind, we really had our own intentional community.

鈥淚鈥檓 sure many of us have had these kinds of experiences in our lives鈥攁 camp, retreat, a music festival鈥攚here we enter a setting that is its own ecosystem. And it can be challenging when we have to go back to the 鈥榬eal world鈥�: Can we incorporate what we value about that special community, that experience, into our everyday lives?鈥�

Smith鈥檚 writing proceeded at a steady, unhurried pace (鈥淚 didn鈥檛 give myself a deadline; it was a case of, 鈥榃ell, I鈥檝e gotten this far, might as well keep going鈥欌��) and he completed a first draft in late summer 2018. He turned to friends for comments and suggestions, began fine-turning the manuscript, and then started looking for publishers, receiving rejections or no replies.

But real life intervened in a very personal, seismic way for Smith when his mother died in July 2021, and his wife, Shawn Stamm, succumbed about three months later after battling cancer for three years.

鈥淪hawn was diagnosed around when I finished the first draft, but things seemed to stabilize after a few months, to the point where I could spend time revising the book and sending it out,鈥� he recalled. 鈥淎s her health, and my mother鈥檚, began to worsen, though, everything else in my life receded into the background and stayed there for a long time.鈥�

During the summer of 2022, Smith resumed submitting the manuscript to publishers, though not with a great deal of hope given the COVID pandemic鈥檚 impact on the industry. But in August, five days before the event he鈥檇 organized to celebrate Shawn鈥檚 life, a representative from Atmosphere Press contacted Smith to express interest in publishing the novel.

There followed a period of several months to refine and tweak the manuscript, as well as other tasks to get the book ready for publication. Smith found it a positive experience.

鈥淢y editor really liked the novel, but he promised that with some changes, we could make a good book into a great book.鈥� This involved a reconsideration of the book鈥檚 ending, said Smith: 鈥淗e felt that it was lacking something, so, I took another approach and had Seth confront, in very stark terms, the impact of investing so much in the memory of that summer.

鈥淎nd one of the major themes that emerges is whether a memory can become an end in itself, even more important than the people, places, or events it鈥檚 associated with. And does the memory, even as it enriches us, maybe prevent us from moving forward?鈥�

So how did a lifelong editor and writer鈥攗sed to working in the inverted-pyramid structure, style guidelines, and other conventions of journalism鈥攈andle the relative anarchy of fiction writing?

鈥淚t was freeing,鈥� said Smith, who began his journalism career writing for weekly newspapers. 鈥淵ou鈥檙e allowed to create your own universe, and you鈥檙e liberated from structural barriers, but it still needs to make sense; it must be purposeful. I had not thought about writing in terms of chapters, but it became immediately clear to me that they can be effective tools to create suspense, or anticipation, in a way that is totally divorced from news writing.鈥�

Transformation Summer has drawn positive reviews, as well as a Gold Book Award from Literary Titan鈥攁n organization comprised of professional editors, writers, and professors鈥攚hich lauded 鈥渢he meticulous development of unique characters or subjects presented in an authentically engaging context.鈥�

Which begs the obvious question: Is there another book in the pipeline?

鈥淚 actually have two unfinished novels, one of which I started well before Transformation Summer,鈥� said Smith, a part-time contributor to the BostonIrish.com website and quarterly magazine. 鈥淭hat one鈥檚 about a guy fresh out of college who鈥檚 a reporter at a weekly newspaper in early/mid-1980s Massachusetts, which by an amazing coincidence, happens to resemble certain aspects of my life. I feel I鈥檓 a little more than halfway there; part of the problem is how happy I want the ending to be.

鈥淭he other novel-in-progress is a love story set in the early 1980s Boston, and though I have the ending pretty well figured out, I have to decide how I鈥檓 going to get there. Then there鈥檚 this short story I wrote and later expanded into a novel; it has a few elements similar to Transformation Summer, so I think I want to go back in and make some changes.鈥�

But lest anyone wonder, added Smith, 鈥淣o, I鈥檓 certainly not going to give up my day job.鈥�

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